A hybrid sonoric space that blurs the boundaries between the human and the non-human. The work, titled after a concept coined by philosopher Donna Haraway, proposes an experience of odd kinship, a form of closeness between humans and more-than-human entities such as trees, animals, and rivers. This kinship is not grounded in biology, blood ties, or genetics, but in choice, listening, and mutual responsibility.

In their first collaborative work, the artists return to experiences of listening in various natural environments through memory and attempts at musical, technological, and bodily reconstruction. Using the human voice, field recordings, and electronic instruments, they trace textures, harmonies, and rhythms that exist in nature. The imitation is not perfect, nor does it claim to be, the distance between the source and the gesture becomes the raw material of the work, revealing the tension between the desire to connect and the limits of human hearing and voice.